Performative Representation of Working-Class Laborers: They Work Hard for the Money is a transdisciplinary anthology intersecting art theory praxis, comparative literature, film & media studies, performance art, ethnic studies, gender studies, age & aging, geography, and labor studies. The book investigates and analyzes artwork created by artists or collectives working within the dialogue of Postmodernism and current global arts production. The focus on performative aspect of labor as art and affect becomes more sensate and less about the exploited body of labourers, liberating the representation of waged bodies and further diversifying the field of Working-Class Studies.

Edited by Jacqueline Marino and Will Miller, the book features contributions by Christopher Barzak, Rochelle Hurt, Eric Murphy, Ed O’Neill, Sarah Sepanek, David Skolnick, Sarah Stankorb, C Lee Tressell, Jay Williams, Andrea Wood, and 35 others.